By Steve McHugh
There are a few things even a centuries-old sorcerer hesitates to challenge…
When Nathan Garret's pal seeks his support investigating a bloody serial killer, the development of awful crimes ends up in a creature of natural malevolence, born of hatred and darkish magic. in spite of all his powers, Nate fears he might be overmatched. but if evil objectives these he cares approximately and he's faced by means of dire threats either previous and new, Nate needs to show a mystery from his lately remembered previous to remind his enemies why they need to worry him as soon as more.
Born of Hatred, set in sleek London with ancient flashbacks to America's outdated West, maintains the darkish city delusion of Crimes opposed to Magic, the acclaimed first ebook within the gritty and action-packed Hellequin Chronicles.
Read Online or Download Born of Hatred (Hellequin Chronicles, Book 2) PDF
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Extra resources for Born of Hatred (Hellequin Chronicles, Book 2)
For the silver thread, we’ll use Neutral Grey (992) as the base colour (Figure 72). The highlights will be painted as with Drouot, but using Light Grey (990) for the first highlight (Figure 73), Sky Grey (989) for the second highlight (Figure 74) and Mithril Silver (61-55) for the final metallic touches (Figures 75-76). 3. We’ll paint the other colours to complete the figure (Figures 77-79). As Napoleon’s Orderly, Gourgaud’s uniform has to look brighter and more impressive than, for example, a Bavarian private.
This will absorb most of the paint … but not all of it. This way, there will still be some paint on the brush, but it won’t run or drip off. Now go to the figure and ‘wipe’ the whole area to paint with the brush (Figure 13). As the brush is mainly dry, the little paint that remains on it will highlight only the raised areas (Figure 14). Given its simplicity, the drybrush technique is perfect for a fast paint style, but not suitable for a quality finish except to work on very specific areas, either rough or textured (such as chainmail, terrain, furs or horses tails and manes) or especially plain (cannon or wagon woodwork).
Regarding the metals, the technique I use to paint bronze guns is very easy, but involves more steps than usual, and requires some drying time in between steps. Citadel Colour references are going to be used as, in my opinion, this company’s metallic paints are superior to Vallejo’s. I follow a five step process: (Figure 151) (Figure 152) 1. Base colour: Paint the gun barrel with several layers of watered down Citadel Shining Gold (61-63) to get a smooth result: we don’t want a rough or lumpy finish!
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