By Robert Louis Stevenson

Catriona is the sequel to Stevensen's vintage, abducted, starting accurately the place the final paintings left off. David Balfour is again in well mannered society the place he makes an attempt to struggle injustices and is stuck within the tangled morality of affection.

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What is the power of Pantalone when set against the global rule of finance capital that governs through logarithmic functions and is able to bankrupt entire nations overnight? What is the power of Dottore’s knowledge when set against technological proliferation, media bombardment or electronic social networks? And what is the power of Capitano against computer driven drones that rain terror from the sky and can enforce submission of whole populations? Today, the old masters are themselves the servants of a vast mechanic process, each desperately seeking to be a reliable cog in an inanimate wheel.

Their interest was in utilizing the Commedia to provoke a comic critique of existing power relationships: against war, against racism, fascism, sexism and capitalism itself. The form of Commedia was valuable in that it was structured by social formations of real power relationships between masters and servants. However, attempts to utilize an antique art form in a modern context are fraught with anachronistic dangers and in less capable hands could quickly become naïve and even cartoonish, unwittingly distorting the animating spirit of the sixteenth century.

As Ginnazzo Manetti wrote in 1452, “All that surrounds us is our own work, the work of men… seeing such marvels we understand that we can create even better, more beautiful, more refined, more perfect things than hitherto…” (Manetti 1452). 11 S CO T T M cG E HE E Moreover, man himself was the result of this creative process. He therefore took man as creature of indeterminate image… saying to his creation, …constrained by no limits, in accordance with thine free will, in whose hand we have placed thee, shall ordain for thyself the limits of thy nature… so that with freedom of choice and with honor, as though the maker and molder of thyself, thou mayest fashion thyself in whatever shape thou shalt prefer.

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