By Malcolm Nesbit
One of many rarest Olympia titles, first released in 1955 as Vol. 12 of the Traveller's better half sequence, later reprinted within the impossibly infrequent "Ophir Books" set, and never obvious for the reason that.
Chariot of Flesh is the tale of Baroness Carla, deceased on the creation, with memories of the woman's sensuality through her many paramours, informed to a questing former lover.
Alfred Chester (who wrote this publication as "Malcolm Nesbit") has principally vanished from the literary scene, yet at one element within the overdue '50s accomplished prestige for Jamie Is My Heart's wish. He died in Israel in 1971 of a drug overdose, after having two times been ejected from the Beat paradise of Morocco.
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Extra info for Chariot of Flesh
It does help in my work. — Dorothy Allison In my short story collection, Death Drives a Semi, I included an essay with the story "And Injustice for Some" that explained how the story came to be written. " It sounds like a very simple answer, but it happens to be true. Since everyone has sexual thoughts throughout the day, no one should ever find themselves short of ideas for erotic stories. For example, if you're a woman who takes the bus to work every day, think about a liaison with a handsome man you see every day on the bus but to whom you never speak — One day your eyes meet, and you know he's been thinking about you the same way you've been thinking about him.
Erotic letters are such a popular part of most magazines that there are even magazines focusing solely on letters. Penthouse Letters and Hot Talk are two such publications. There are plenty of letters in their pages, all of them fairly well written and full of explicit sex. Because so many publications use letters, letters can be a great way to break into writing magazine erotica. You may or may not be paid for your letters, depending on where they are published. However, if you do enough letters for a specific magazine, the editor will likely take note and be receptive to a fiction or nonfiction piece from you.
Once you've come up with an idea or outline (try the exercise in Sample 1) that you think will make a good story, don't stop there. You mustn't be satisfied with the idea alone. You have to keep going and turn your idea into a story. It is only when you've finished something like a full story or novel that you can be truly satisfied. If that doesn't convince you, consider it this way. Ideas are like foreplay, but completing a story is like orgasm. It's fun to have the former, but it doesn't truly mean anything until you've experienced the latter.
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