By Jean-Louis McMillan

Immediately, Adam's existence has crumbled.

The trauma retains him wide awake at evening, the strain squeezing opposed to his lungs, his soul.

His lifestyles maintains on a downward spiral till he's totally broken.

And he doesn’t know the way he’ll ever be complete again.

Until he meets Jasmine.

He unearths her whereas operating as an legit for the DGSE—France’s exterior intelligence agency—in Beirut, Lebanon. Their hearts are jolted again to existence on the sight of each other, yet their erotic affair is a deadly one.
Jasmine is a girl he can't have and used to be by no means intended to be with.
Her attractiveness captivates him; her love overwhelms him.
Though Jasmine suffers from her personal trauma and feels constricted in the confines of her societal function, she too unearths transitority therapeutic and freedom in her wild yet mystery romance with Adam.

But for a way lengthy can they retain their risky love a secret?

Desire & Prejudice is an attractive love tale with a secret agent mystery twist via the most fascinating new authors of 2014. during the tale of Adam and Jasmine, first-time writer Jean-Louis McMillan makes use of the vintage story to discover the fashionable artwork of lovemaking and the facility of redemption.

Does love have the facility to beat prejudice?
Can it heal a wounded soul?

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6 cm. Minneapolis Institute of Arts, Minneapolis. 36 Romeo. She speaks:— O, speak again, bright angel! for thou art As glorious to this night, being o’er my head, As is a winged messenger of heaven Unto the white-upturned wondering eyes Of mortals that fall back to gaze on him When he bestrides the lazy-pacing clouds And sails upon the bosom of the air. Aurora and Cephalus Pierre-Narcisse Guérin, 1811-1814. Oil on canvas, 257 x 178 cm. The Pushkin Museum of Fine Arts, Moscow. 38 39 Juliet. O Romeo, Romeo!

Danaë Titian (Tiziano Vecellio), 1544-1546. 5 x 170 cm. Museo Nazionale di Capodimonte, Naples. 34 35 It is not while beauty and youth are thine own, And thy cheeks unprofaned by a tear, That the fervor and faith of a soul can be known, To which time will but make thee more dear; No, the heart that has truly loved never forgets, But as truly loves on to the close, As the sun-flower turns on her god, when he sets, The same look which she turn’d when he rose. — Thomas Moore (1779-1852) Mademoiselle Lange as Danaë Anne-Louis Girodet, 1799.

62 63 Bid me discourse, I will enchant thine ear, Or like a fairy trip upon the green, Or, like a nymph, with long dishevell’d hair, Dance on the sands, and yet no footing seen: Love is a spirit all compact of fire, Not gross to sink, but light, and will aspire. — from Venus and Adonis William Shakespeare Phyllis and Demophon Edward Burne-Jones, 1870. 8 cm. Museum and Art Gallery, Birmingham.

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