By J. C. Nelson
When it involves crafting happily-ever-afters, the service provider is the simplest within the land of state. The Fairy Godfather Grimm can clear up any problem—from removing imps to discovering prince charming—as lengthy as you could pay the price…
Working for Grimm isn’t Marissa Locks’s dream activity. but if your mom and dad alternate you to a Fairy Godfather for a miracle, you don’t have many profession strategies. To repay her parents’ debt and earn her freedom, Marissa needs to do no matter what Grimm asks, it doesn't matter what fairy-tale fiasco she’s referred to as directly to deal with.
Setting up a second-rate princess with a first class prince is simply one other day on the workplace. but if the matchmaking is going improper, Marissa and Grimm locate themselves in an even bigger magical litter than ever ahead of. not just has the prince long gone lacking, however the Fae are gearing as much as assault state, and a brand new Fairy Godmother is sniffing round Grimm’s turf, threatening Marissa with the only factor she can’t face up to: her heart’s wishes.
Now Marissa must tackle Fairies, Fae, dragons, and princesses to save lots of the realm—or quit any desire of ever getting her chuffed ending…
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Additional info for Free Agent (Grimm Agency, Book 1)
For the silver thread, we’ll use Neutral Grey (992) as the base colour (Figure 72). The highlights will be painted as with Drouot, but using Light Grey (990) for the first highlight (Figure 73), Sky Grey (989) for the second highlight (Figure 74) and Mithril Silver (61-55) for the final metallic touches (Figures 75-76). 3. We’ll paint the other colours to complete the figure (Figures 77-79). As Napoleon’s Orderly, Gourgaud’s uniform has to look brighter and more impressive than, for example, a Bavarian private.
This will absorb most of the paint … but not all of it. This way, there will still be some paint on the brush, but it won’t run or drip off. Now go to the figure and ‘wipe’ the whole area to paint with the brush (Figure 13). As the brush is mainly dry, the little paint that remains on it will highlight only the raised areas (Figure 14). Given its simplicity, the drybrush technique is perfect for a fast paint style, but not suitable for a quality finish except to work on very specific areas, either rough or textured (such as chainmail, terrain, furs or horses tails and manes) or especially plain (cannon or wagon woodwork).
Regarding the metals, the technique I use to paint bronze guns is very easy, but involves more steps than usual, and requires some drying time in between steps. Citadel Colour references are going to be used as, in my opinion, this company’s metallic paints are superior to Vallejo’s. I follow a five step process: (Figure 151) (Figure 152) 1. Base colour: Paint the gun barrel with several layers of watered down Citadel Shining Gold (61-63) to get a smooth result: we don’t want a rough or lumpy finish!
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