By Jack Murnighan, Genevieve Field
Over the last 3 years, Nerve.com has outlined a brand new style in comtemporary literature: brief, horny fiction that excites above and under the neck. Incisive, sincere, and gripping, those tales rewrite our knowing of what sexual fiction should be. complete FRONTAL FICTION collects the main leading edge and literary erotic fiction to seem on the internet pages of Nerve. From verified names like Jay McInerney, A. M. houses, Robert Olen Butler, Mary Gaitskill, and Elizabeth Wurtzel to the bestof today's new voices, complete FRONTAL FICTION includes the most provocative writing in the USA this day.
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This isn't a standalone tale. it's the sequel to Locked, which may be learn first.
Who is Sebastian Lock?
Sophia had by no means felt appeal like that earlier than. uncooked. electrical. impossible to resist. Swept off her toes via the speeding, enigmatic billionaire Sebastian Lock, she used to be taken on a trip of self discovery, taken to areas she by no means dreamed she'd go.
But issues are by no means so simple as they seem. Sophia's belief is a delicate factor, and Sebastian turns out purpose on trying out it. He has his personal demons to conflict, and no-one has introduced them to the fore like she has.
As their dating deepens, and Sophia starts to collapse his partitions, all that greets her are extra questions. Why is Sebastian scuffling with so demanding to maintain her at a distance? who's the lady on his telephone? And why does the unusual tattoo on his chest look so familiar?
These puzzles plague her, yet as Sebastian's mysteries start to resolve, she needs to face a completely assorted fact. Staying at midnight will be painful, yet realizing the solutions should be deadly.
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Extra info for Full Frontal Fiction (The Best of Nerve.com)
6 cm. Minneapolis Institute of Arts, Minneapolis. 36 Romeo. She speaks:— O, speak again, bright angel! for thou art As glorious to this night, being o’er my head, As is a winged messenger of heaven Unto the white-upturned wondering eyes Of mortals that fall back to gaze on him When he bestrides the lazy-pacing clouds And sails upon the bosom of the air. Aurora and Cephalus Pierre-Narcisse Guérin, 1811-1814. Oil on canvas, 257 x 178 cm. The Pushkin Museum of Fine Arts, Moscow. 38 39 Juliet. O Romeo, Romeo!
Danaë Titian (Tiziano Vecellio), 1544-1546. 5 x 170 cm. Museo Nazionale di Capodimonte, Naples. 34 35 It is not while beauty and youth are thine own, And thy cheeks unprofaned by a tear, That the fervor and faith of a soul can be known, To which time will but make thee more dear; No, the heart that has truly loved never forgets, But as truly loves on to the close, As the sun-flower turns on her god, when he sets, The same look which she turn’d when he rose. — Thomas Moore (1779-1852) Mademoiselle Lange as Danaë Anne-Louis Girodet, 1799.
62 63 Bid me discourse, I will enchant thine ear, Or like a fairy trip upon the green, Or, like a nymph, with long dishevell’d hair, Dance on the sands, and yet no footing seen: Love is a spirit all compact of fire, Not gross to sink, but light, and will aspire. — from Venus and Adonis William Shakespeare Phyllis and Demophon Edward Burne-Jones, 1870. 8 cm. Museum and Art Gallery, Birmingham.
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