By Rebecca L. Ethington

Joclyn Despain has been marred through a model on her pores and skin. She doesn't comprehend why the mark seemed on her neck, yet she doesn't wish an individual to determine it, together with her ally Ryland, who understands every thing else approximately her. The scar is the explanation she hides herself at the back of saggy outfits, and won't enable the belief of kissing Ryland input her brain, regardless of how a lot she wishes to.
The scar is the explanation she is being hunted.

If simply she knew that she was.

If purely she had identified that the cursed stone her estranged father despatched for her sixteenth birthday could set off a metamorphosis in her. Now, she is being stalked via a tall blonde guy, and is miraculously throwing her highschool bully ten toes within the air.

Joclyn makes an attempt to discover a few solutions and the braveness to persist with her center. while Ryland unearths her scar; simply he is aware what it potential, and who will kill her due to it.

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Additional info for Kiss Of Fire (Imdalind, Book 1)

Example text

For the silver thread, we’ll use Neutral Grey (992) as the base colour (Figure 72). The highlights will be painted as with Drouot, but using Light Grey (990) for the first highlight (Figure 73), Sky Grey (989) for the second highlight (Figure 74) and Mithril Silver (61-55) for the final metallic touches (Figures 75-76). 3. We’ll paint the other colours to complete the figure (Figures 77-79). As Napoleon’s Orderly, Gourgaud’s uniform has to look brighter and more impressive than, for example, a Bavarian private.

This will absorb most of the paint … but not all of it. This way, there will still be some paint on the brush, but it won’t run or drip off. Now go to the figure and ‘wipe’ the whole area to paint with the brush (Figure 13). As the brush is mainly dry, the little paint that remains on it will highlight only the raised areas (Figure 14). Given its simplicity, the drybrush technique is perfect for a fast paint style, but not suitable for a quality finish except to work on very specific areas, either rough or textured (such as chainmail, terrain, furs or horses tails and manes) or especially plain (cannon or wagon woodwork).

Regarding the metals, the technique I use to paint bronze guns is very easy, but involves more steps than usual, and requires some drying time in between steps. Citadel Colour references are going to be used as, in my opinion, this company’s metallic paints are superior to Vallejo’s. I follow a five step process: (Figure 151) (Figure 152) 1. Base colour: Paint the gun barrel with several layers of watered down Citadel Shining Gold (61-63) to get a smooth result: we don’t want a rough or lumpy finish!

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