By Daniel José Older
Paint a mural. commence a conflict. swap the world.
Sierra Santiago deliberate a simple summer time of constructing artwork and striking out together with her pals. yet then a corpse crashes the 1st get together of the season. Her stroke-ridden grandfather begins apologizing repeatedly. And while the work of art in her local start to weep actual tears... good, whatever extra sinister than the standard Brooklyn ruckus goes on.
With assistance from a fellow artist named Robbie, Sierra discovers shadowshaping, an exciting magic that infuses ancestral spirits into work, tune, and tales. yet a person is killing the shadowshapers one after the other -- and the killer believes Sierra is hiding their maximum mystery. Now she needs to get to the bottom of her family's previous, take down the killer within the current, and keep the way forward for shadowshaping for generations to come.
Full of a pleased, defiant spirit and writing as luscious as a Brooklyn summer time evening, Shadowshaper introduces a heroine and magic in contrast to the rest in myth fiction, and marks the YA debut of a daring new voice.
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Additional info for Shadowshaper
For the silver thread, we’ll use Neutral Grey (992) as the base colour (Figure 72). The highlights will be painted as with Drouot, but using Light Grey (990) for the first highlight (Figure 73), Sky Grey (989) for the second highlight (Figure 74) and Mithril Silver (61-55) for the final metallic touches (Figures 75-76). 3. We’ll paint the other colours to complete the figure (Figures 77-79). As Napoleon’s Orderly, Gourgaud’s uniform has to look brighter and more impressive than, for example, a Bavarian private.
This will absorb most of the paint … but not all of it. This way, there will still be some paint on the brush, but it won’t run or drip off. Now go to the figure and ‘wipe’ the whole area to paint with the brush (Figure 13). As the brush is mainly dry, the little paint that remains on it will highlight only the raised areas (Figure 14). Given its simplicity, the drybrush technique is perfect for a fast paint style, but not suitable for a quality finish except to work on very specific areas, either rough or textured (such as chainmail, terrain, furs or horses tails and manes) or especially plain (cannon or wagon woodwork).
Regarding the metals, the technique I use to paint bronze guns is very easy, but involves more steps than usual, and requires some drying time in between steps. Citadel Colour references are going to be used as, in my opinion, this company’s metallic paints are superior to Vallejo’s. I follow a five step process: (Figure 151) (Figure 152) 1. Base colour: Paint the gun barrel with several layers of watered down Citadel Shining Gold (61-63) to get a smooth result: we don’t want a rough or lumpy finish!
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