By Anita Guerrini
in the course of the tales of Duverney and Perrault, in addition to these of Marin Cureau de los angeles Chambre, Jean Pecquet, and Louis Gayant, The Courtiers' Anatomists explores the relationships among empiricism and conception, human and animal, in addition to the origins of the traditional heritage museum and the connection among technological know-how and different cultural actions, together with paintings, track, and literature.
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Additional resources for The courtiers' anatomists : animals and humans in Louis XIV's Paris
ONE Anatomists and Courtiers 1. A Geography of Paris Anatomy in the Seventeenth Century Under cover of night, the dead of Paris made their journey from the burial grounds to the places of dissection. In this era of recurrent plagues, their numbers never dwindled, and for three centuries from the 1530s, they did not lie quiet in their graves. The cemetery of Saints-Innocents, between the rue de la Ferronerie and the rue St. Denis, was one of the few places with streetlamps until Louis XIV ordered the installation of thousands of candlelanterns across Paris.
Gaspard Bauhin learned to dissect in this way. As an undergraduate, he studied in Basel with Rondelet’s former student Felix Platter. 87 Basel highly prized the skills he thus acquired, and its physicians sponsored his first public anatomy demonstration soon after his return in 1581. Unlike du Laurens and Bauhin, Riolan the younger, called by Thomas Bartholin (1616–80) “the prince of anatomists,” was entirely a product of the Paris Faculty, where he benefited greatly from its inbreeding. Elected to the faculty’s new chair in anatomy as well as a medical chair at the Collège 36 / Chapter One Royal as soon as he received his degree in 1604, he first published on the topic in the following year with a short treatise attached to the end of the latest edition of his father’s works.
77 Books, and particularly textbooks of various kinds, constituted an important source of anatomical knowledge. ”78 The textbook tradition in anatomy dated back to Mondino de’Liuzzi’s of 1316, which accompanied generations of medical students until the early sixteenth century. 79 They ranged from enormous Latin tomes with few or no illustrations to large-format illustrated atlases to smaller and less expensive surgical texts. Most of the latter texts, such as Paré’s Anatomie universelle du corps humain, presented learned theory in the vernacular, often alongside instruction in specific surgical operations.
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