By B. Kristin McMichael

Arianna Grace beloved her dull, Midwestern, teenage existence the place she overlooked the numerous unanswered questions of her formative years. Why have been her mom and dad lifeless? Why did she now not have relations? the place was once she raised till she was once 5? while anyone deals to provide an explanation for all of it, Arianna thinks she’s simply getting solutions. in its place, she is thrown right into a international of evening people who drink blood.

On Arianna's 16th birthday, her global is thrown the other way up while she alters right into a vampire. evening people, or demons, as a few name them, dwell in basic society. studying the entire new ideas of a global she didn’t recognize existed may be not easy sufficient, yet it's additional advanced by way of former-friends that now are looking to support her take her function because the successor to her grandfather.

There is a struggle occurring among the evening people. aspects were taken and features will not be crossed. 4 major clans of evening people are suffering for keep an eye on of the evening. Divided into facets, clans Baku and Tengu were at conflict for hundreds of years with the clans Dearg-dul and Lycan. that's, until eventually Arianna Grace reveals out the reality; she’s the bridge of peace among the 2 aspects. yet no longer everybody wishes peace. With the evening people divided, Arianna is now a pawn within the struggle among them. She needs to decide on a side—her mother’s kin or her father’s—and for as soon as in her existence, come to a decision her personal destiny.

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Extra info for The Legend of the Blue Eyes (The Blue Eyes Trilogy, Book 1)

Example text

For the silver thread, we’ll use Neutral Grey (992) as the base colour (Figure 72). The highlights will be painted as with Drouot, but using Light Grey (990) for the first highlight (Figure 73), Sky Grey (989) for the second highlight (Figure 74) and Mithril Silver (61-55) for the final metallic touches (Figures 75-76). 3. We’ll paint the other colours to complete the figure (Figures 77-79). As Napoleon’s Orderly, Gourgaud’s uniform has to look brighter and more impressive than, for example, a Bavarian private.

This will absorb most of the paint … but not all of it. This way, there will still be some paint on the brush, but it won’t run or drip off. Now go to the figure and ‘wipe’ the whole area to paint with the brush (Figure 13). As the brush is mainly dry, the little paint that remains on it will highlight only the raised areas (Figure 14). Given its simplicity, the drybrush technique is perfect for a fast paint style, but not suitable for a quality finish except to work on very specific areas, either rough or textured (such as chainmail, terrain, furs or horses tails and manes) or especially plain (cannon or wagon woodwork).

Regarding the metals, the technique I use to paint bronze guns is very easy, but involves more steps than usual, and requires some drying time in between steps. Citadel Colour references are going to be used as, in my opinion, this company’s metallic paints are superior to Vallejo’s. I follow a five step process: (Figure 151) (Figure 152) 1. Base colour: Paint the gun barrel with several layers of watered down Citadel Shining Gold (61-63) to get a smooth result: we don’t want a rough or lumpy finish!

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