By William Moylan
Realizing and Crafting the combo seems at recording as creative expression. It is helping the reader hone their severe listening talents, optimizing their inventive expression throughout the recording strategy.
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Extra resources for Understanding and Crafting the Mix, Second Edition: The Art of Recording
Sound is perceived at any possible angle from the listener, and sound is perceived at a distance from the listener; both of these perceptions involve an evaluation of the characteristics of the sound source’s host environment. In audio recording, illusions of space are created. Sound sources are given spatial characteristics through the recording process and/or through signal processing. This spatial information is intended to complement the timbre of the music and/or sound source. The spatial characteristics may simulate particular known, physical environments or activities, or be intended to provide spatial cues that have no relation to our reality.
Amplitude for a particular instrument or voice. These areas will not change with varied fundamental frequency, as they are fixed characteristics (such as resonant frequencies) of the device that created the sound. Formants may also take the form of spectral information that is present in all sounds produced by the instrument or voice. 250 500 750 1000 1250 1500 1750 2000 2250 2500 2750 3000 Frequency (Hz) Resonance Areas (frequency band) area of noise burst during sounds’ onsets The frequencies that comprise the spectrum (fundamental frequency, harmonics, overtones, subharmonics and subtones) all have different amplitudes that change independently over the sound’s duration.
Thus, melody is the perception of successively sounded pitches (creating linear intervals), and chords are the perceptions of simultaneously sounded pitches (creating harmonic intervals). We often perceive pitch in relation to a reference level (one predominating pitch that acts as the key or pitch-center of a piece of music), or to a system of organization to which pitches can be related (a tonal system, such as major or minor). Our ability to recognize the interval between two pitches is not consistent throughout the hearing range.
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